The Heritage Buddy

 Following on from my VE Day performance at my autism group (read here) , I offered to my peers and their friends and family if I could perform some heritage interpretation at any events they may run; I then got an act up and running again when I was invited to perform at an inclusive music festival (as well as selling some of my arts and crafts).  With my first VE Day performance being a drag-act (despite having a uniform I considered gender neutral from being a Civil Defence uniform and it was a uniform designed for women) and with the second I performed to the age group below me in a dress inspired by Vera Lynn's White Cliffs of Dover (referencing my autism group's talent show in 2017 when I performed that song in honour of her 100th birthday), I spent a good bit of time debating whether it would be drag or dress (one of the most difficult decisions to make as a non-binary genderfluid reenactor).  I happened to be scrolling on Instagram when I discovered a fellow reena...

I stepped out of Portsmouth Harbour train station one freezing cold Saturday afternoon in January this year. I was slowly making my way to my hotel and stopped to admire how beautiful HMS Warrior looked against the winter sunset over the harbour, so I sat down on a bench to bring myself out of anxiety about getting lost, shutting down or dissociating and losing awareness of my surroundings and into the present. After a moment, I noticed an obelisk with HMS Royal Oak inscribed on it; I quickly learnt it was a memorial commemorating the 85th anniversary of the sinking of HMS Royal Oak. I knew I had to take some photos for some volunteering. (This memorial will be discussed in a future post - watch this space!) 😀 The reason I was visiting Portsmouth was because I am a board member at the National Museum of the Royal Navy and our board was encouraged to visit for branding reasons. After spending a couple of hours chilling in my hotel room by video-calling family to let them know ...